Ah, take this to heart, Hie gilt fürwahr kein Scherzen! Translation of 'BWV 20 Kantate „O Ewigkeit, du Donnerwort“: 7 Chorale „Solang ein Gott im Himmel lebt“' by Johann Sebastian Bach from German to Neapolitan Laß doch die Wollust dieser Welt, Wer weiß noch, wie man sterben mag? Als anfangs sie beschaffen war, | Part 3 O Ewigkeit, Zeit ohne Zeit, O Schwert, das durch die Seele bohrt, Wenn der Verdammten große Qual Lord Jesus, into your tent of joy. O Ewigkeit, du Donnerwort, | Emblemata The instrument parts are included in the dialogue: the solo violin (with Hope) plays scales while the oboes d'amore and the continuo (with Fear) play dotted rhythms. | The History of the Breitkopf Collection of J. S. Bach’s Four-Part Chorales [T. Braatz] Hymnals: Hymnals used by Bach | Translations: Product Information Chorale composed by Johann Sebastian Bach - Digital Sheet Music BWV 513 "O Ewigkeit, Du Donnerwort!" Wake up, o man, from the sleep of sin, and yet not consume them. (Lord, I await your salvation). Discussions: to such an extent that for the whole night Composed for the Twenty-fourth Sunday after Trinity, which fell on November 7, 1723, Bach's Cantata No. Ach Gott, wie bist du so gerecht, [2] In his book The Creative Development of Johann Sebastian Bach, Richard D. P. Jones describes the movement as "one of Bach's most imaginative conceptions, vivid in its portrayal of conflicting states of the soul". Von Sinnen toll, von Herzen blind, Stream ad … O Ewigkeit, du machst mir bang, Fear begins "O schwerer Gang zum letzten Kampf und Streite!" Es kommt heran die Ewigkeit, | Links to other Sites about the Chorales, Texts & English Translations of Chorales: Sorted by Title, Terms of Use Ohn Ende dich betrüben? [4] A repeat performance of the earlier cantata took place sometime after 1735, by a continuo part from that time. | Passion Chorale | Part 7 Schau an die große Sicherheit, Als manches Laub das Erdreich trägt, to give you your reward! Nun aber, wenn du die Gefahr Again, notice the emphasis on vi (F-D-A-D) in the bass line and arch shape of the melody. Composer Bach, Johann Sebastian Date of Composition 1700-1750 Number of voices 4 Genre Chorale Instrument Voice SATB Collections Yale Collection. Bach, the closing chorale from BWV 60. | Chorales BWV 250-438 Vieleicht ist heut der letzte Tag, | BWV Anh Author: Johann Rist (1642) Im heißen Pfuhl der Schmerzen! O Sünder, deine Missetat Aus ihr ist kein Erlösung nicht. Add to wish list At a Glance It is enough. Der Höllen Pein Shop and Buy Eternity, Thou Thundrous Word (O Ewigkeit, Du Donnerwort) sheet music. [13] He writes:.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}, ... Bach's setting itself, whose harmonization and loosening-up into polyphony allows the text to become, as it were, transparent—something that not even Bach always achieved. It is one of Bach's dialogue cantatas: its topic, fear of death and hope of salvation, plays out mainly through a conversation between two allegorical figures, Fear (sung by an alto voice) and Hope (sung by a tenor). Recit. rage along with the devil! | Cantatas BWV 201-224 [2] From the second Stollen of the chorale, the tenor as Hope responds with Jacob's words, "Herr, ich warte auf dein Heil." I am terrified from the bottom of my heart. Wenn Gott nicht mehr wird ewig sein. [4] A horn, to support the chorale melodies, was requested only later under the word Viola, possibly in the 19th century. Dir länger nicht gebieten! Cantata No. afflict you without end? Bach: | Other Vocal 1081-1089 Dafür wilt du dein arme Seel Motets & Chorales for Events in the LCY / Chorales by Theme Ist doch kein Schluß vorhanden. and end in time. Der Tod bleibt doch der menschlichen Natur verhaßt. along with the great pain, (... from now on). | Part 2 Facing great sorrow I do not know that is greater than a thousand hangmen 2. Zusamt des Teufels Wüten! | Part 8 Nichts ist zu finden weit und breit will go on throughout eternity. My heart completely terrified shudders it cannot last for long. | Other Vocal Works BWV 225-248 5. O eternity, you word of thunder, If the great torment of the damned Drüm, wenn ich diese lange Nacht So schrecklich als die Ewigkeit. Aria (alto, tenor): O Ewigkiet, du Donnerwort Recitativo (alto, tenor): O schwerer Gang zum letzen Kampf und Streite! Abbreviations used for the Chorales The torture remains forever Ich weiß vor großer Traurigkeit [1] The music is intensified to an arioso twice: Fear sings the word martert (tortures) as a chromatic melisma to short chords in the continuo, and Hope stresses in a long melisma the last word ertragen (borne). O Ewigkeit, Zeit ohne Zeit, ich weiss vor grosser Traurigkeit nicht, wo ich mich hinwende. This chorale is FREE OF CHARGE for immediate download! Texts: The second and third movements are respectively a recitative and an aria. Mich endlich ließ vermauren? Chorale: Solang ein Gott im Himmel lebt The editor was Wilhelm Rust. such torture will last. and for that length of time Historically, the form developed, obviously, in France, and was meant to serve as the entry of a king. Part 1 will face wrath and fury, will not be like bodily illness O Ewigkeit, du Donnerwort, BWV 397 Bach, Johann Sebastian O Ewigkeit, du Donnerwort, BWV 397. | Part 4, EKG: 324 Only eternity has no end, Johann Sebastian Bach composed the church cantata O Ewigkeit, du Donnerwort (O eternity, you word of thunder), BWV 20, in Leipzig for the first Sunday after Trinity and first performed it on 11 June 1724. I journey to heaven's house, I go there securely in peace, my great suffering remains behind. [2], The last duet is no longer between Fear and Hope. | The Origin of the Melodies of the Chorales [A. Schweitzer] In movement 4, Fear is answered instead by the bass, the vox Christi(voice of C… My Jesus comes; good night now, o world! [2], Bach led the first performance of the cantata with the Thomanerchor on 7 November 1723. who can scarcely live for fifty years- It is the first cantata he composed for his chorale cantata cycle, the second annual cycle he began in Leipzig. | General Discussions: Part 1 | The Chorale in the Church Service [A. Schweitzer] For the brief sins of this world Er zählet alle Glockenschlag O Ewigkeit, du Donnerwort, Chorale Prelude for Organ: Johann Tobias Krebs … Wake up, it is high time, Die falsche Welt und böse Zeit / Furcht. Part 1 | Chorales - H. Rilling ),[1] while Hope confirms "Mein Beistand ist schon da" (My Protector is already there). were to go on for as many years Kein Unglück ist in aller Welt, If you appreciate the quality of this chorale and/or would like to help contribute to BachScholar's BACH CHORALE PROJECT, please CLICK HERE! Title: O Ewigkeit, du Donnerwort, BWV 60 (a title shared with Cantata 20) Composer: Johann Sebastian Bach. from all of Satan’s children. [13][14] During Ahle's time, it was an extreme musical figure, suitable to depict "the soul's crossing over from life into death". When composing the cantata “O Ewigkeit, du Donnerwort” (Eternity, thou thunderous word) BWV 60, Bach was faced with a particularly interesting challenge. Königliche Bibliothek zu Berlin (Royal Library in Berlin), probably in 1851. O Anfang sonder Ende! | Part 4 Before everything keep in mind O eternal, eternal is too long, Zusamt der großen Pein betracht, Und ganz wird aufgehoben. and become completely cancelled. as it was arranged in the beginning, anguish, terror fire and lightning, Wird nicht wie Leibes Krankheit sein the danger in misery forever amidst fire and brimstone Aria (alto): O Mensch, errette deine Seele 7. Ein kläglichs Leben führet; / Hoffnung. as the number that men live here, [13], Chafe concludes a thorough analysis of the cantata and the chorale with the summary that "in developing and intensifying traditional, even archaic, ways of understanding music [...] Bach carried them far into the future, opening up questions for the analysis, interpretation, and composition of music that are very much with us and are probably timeless". O Schwert, das durch die Seele bohrt, Terry] [4] The duration of the work has been stated as 20 minutes.[2]. AllMusic; en: O Ewigkeit, du Donnerwort, BWV 20; Score at IMSLP; Wikidata: Q288212; Editing. Empfindet weder Trost noch Rat! 1. It was first performed in Leipzig on 7 November 1723, and is part of Bach's first cantata cycle. Mit Zorn und Grimm ümwenden. There is no misfortune in all the world Ja schöner Tausch, ja wohl gewagt, So hasset er doch solchen Pracht o beginning that has no end! Ja, wie mein Heiland selber spricht: he leads a miserable life. O Ewigkeit, du DonnerWort. | Evangelisches Gesangbuch 1995 ... O Ewigkeit, du Donnerwort (BWV 20) O Ewigkeit, du Donnerwort (BWV 20) 0.00. Wie strafest du die bösen Knecht They were acquired by the [3], In O Ewigkeit, du Donnerwort, solo voices perform all movements but the closing chorale. Ah, what is that? Ah, ah shall the pain of hell Cold and heat will torment them, for a moment and not longer. There are five movements. so that my tongue clings to my gums. Carus-Verlag produced a new critical edition in 1998, edited by Ulrich Leisinger. Chorale (S, A, T, B) The kings from out Sheba came then forth, Gold incense, myrrh did they then bring forth. Sie treibet fort und fort ihr Spiel, The time, that no one can count, | Explanation Ernstliche Betrachtung Der unendlichen Ewigkeit. Erschreck ich recht von Herzen. | Sources Alleluia! Liegt einer krank und ruhet gleich 1st MOVEMENT: O EWIGKEIT, DU DONNERWORT O ETERNITY, YOU WORD OF THUNDER (20:44 in this video) This is the chorale fantasia. The first movement, "Herr, ich warte auf dein Heil" (Genesis 49:18),[3] spoken by Jacob on his deathbed, expresses hope against the fear conveyed in the chorale. Die Wollust kann ein' Augenblick Und dies ihr unbegreiflichs Leid Ich weiß für großer Traurigkeit | Choral / Chorale [C.S. | Chorales BWV 401-438 Ach, was ist das! O eternity, time without time! and regally decorated, Was acht ich Wasser, Feur und Schwert Ach ach, soll denn der Höllen Pein, | Part 4 [4][3] The cantata was published in the New Bach Edition in 1968, edited by Alfred Dürr. [4][10] The chorale, the first stanza of Rist's hymn "O Ewigkeit, du Donnerwort" (O eternity, you word of thunder),[1] is sung by the alto (Fear), reinforced by the horn. All this is scarcely worth mentioning, Place of Origin Germany Language German In contrast to the chorale cantata BWV 20 which also begins with the same church hymn, this libretto takes the form of an intimate and intense dialogue. For these pains will end Edition notes: Chorale from O Ewigkeit, du Donnerwort, BWV 60" NB: Cantata BWV 20 has the same title, but does not include this chorale General Information. References: Chorales BWV 250-300 the long night about which you have been warned beforehand. [12] Dürr notes: "The fascination of these ariosos lies in their memorable and eloquent melodic line which presents the text in heightened speech. | Copyright Policy o sword that pierces through my soul, / Dialogue Between Fear and Hope / Fear. and sighs for the dear day. | Chorales BWV 351-400 (B) What there Isaiah did once foretell, That is in Bethlehem fulfilled. have been cruelly tortured by the devils, | Part 2 Recitativo (bass): Gesetzt, es dau'rte der Verdammten Qual 5. The unknown librettist[3] of the cantata saw the Gospel story as foreshadowing the resurrection of Jesus. Als manchen Stern der Himmel hegt. | Wagner Hymnal 1697 Articles: The Origin of the Texts of the Chorales [A. Schweitzer] [3][7] Two biblical quotations are juxtaposed in the first and fourth movements. Laß ab die Welt zu lieben! Chorale Title Riemen-schneider Alternatives Notes 1 O Ewigkeit, du Donnerwort R26 2 Du Friedensfurst, Herr Jesu Christ R42 3 Das walt' Gott Vater und Gott Sohn R224 4 Jesu, deine tiefen Wunden R256 5 Es ist gewisslich an der Zeit R260 R362 6 Ermuntre dich, mein schwacher Geist R9 R102 Hell’s pain | Part 2 it carries on and on its game, The fourth movement is a dialogue between Fear and Christ (vox Christi, sung by a bass), who quotes "Selig sind die Toten" from the Book of Revelation. Ach, fliehe doch des Teufels Strick! Herr, ich warte auf dein Heÿl. Also termed the "chorale cantata year", the cycle has been called "the largest musical project that the composer ever undertook". Das bei den Teufeln wird beklagt. Wach auf, es ist doch hohe Zeit, © 2000-2020 Bach Cantatas Website, Last update: Friday, June 02, 2017 03:47, Preludi ai Corali - Quartetto Italiani di Viola Da Gamba, Motets & Chorales for Events in the LCY / Chorales by Theme, 371 4-Part Chorales sorted by Breitkopf Number, Texts & Translations of Chorales BWV 250-438, The Origin of the Texts of the Chorales [A. Schweitzer], The Origin of the Melodies of the Chorales [A. Schweitzer], The Chorale in the Church Service [A. Schweitzer], Hidden Chorale Melody Allusions [T. Braatz], The History of the Breitkopf Collection of J. S. Bach’s Four-Part Chorales [T. Braatz]. The cantata closes with a four-part setting of Franz Joachim Burmeister's chorale "Es ist genug". O eternity, time without time, Chorale "O Ewigkeit, du Donnerwort" Work information Type: Cantata Lyrics Languages: German Key: F major Rating. O Ewigkeit, Zeit ohne Zeit, [13] Dürr notes further that a similar scale of four notes occurs in Rist's hymn on the word Donnerwort in the first movement, but with the normal half-tone step to the last note. (CA.3106003). Im Feur und Schwefel immerdar Hast kläglich ausgestanden Herr Jesu, in dein Freudenzelt! In movement 4, Fear is answered instead by the bass, the vox Christi (voice of Christ), with "Selig sind die Toten". in the devil’s pit in repayment? Number of voices: 3vv Voicing: ATB soli (SATB for chorale) Vor allen Dingen hab in acht [8] The two oboes play a "lamenting" duet. Where lives a man so eloquent Denn wird sich enden diese Pein, Translation of J.S. Es wird sie plagen Kält und Hitz, Es ist ein Arbeit sonder Ruh, Nimm du mich, wenn es dir gefällt, So wäre doch der Pein zuletzt Genres (none) Other tags (none) See all tags. | Cantatas BWV 101-150 where I should turn. as many as the stars the heaven contains, O Ewigkeit, du Donnerwort Text and Translation of Chorale: EKG: 324 Author: Johann Rist (1642) Chorale Melody: Wach auf, mein Geist, erhebe dich (1642) / O Ewigkeit, du Donnerwort (1653) | Composer: Johann Schop / Johann Crüger Vocal Works by J.S. Recitativo (tenor): Kein Unglück ist in aller Welt zu finden 3. | Chorale Texts External links. Ah God, how righteous you are, | Chorale Melodies: Sorted by Title | Geistliche Lieder BWV 439-507 The cantata is based on Johann Rist's hymn "O Ewigkeit, du Donnerwort" (1642), with a chorale melody by Johann Schop. Nicht, wo ich mich hinwende. Log in to edit; Open edits; Editing history; Last updated on 2014-06-24 19:02 UTC. | Part 2 I do not know where I should turn. / for / 4 voices / 2 oboes d'amore. Throughout the cantata, two allegorical figures, Furcht (Fear) and Hoffnung (Hope), engage in a dialogue. He began with O Ewigkeit, du Donnerwort and went on to compose forty chorale cantatas in that cycle until Palm Sunday of 1725. O eternity, you make me afraid, Bach wrote the cantata for the 24th Sunday after Trinity in his first year as Thomaskantor and music director of Leipzig's main churches. 60 "O Ewigkeit, Du Donnerwort" Duet "O Ewigkeit, Du Donnerwort" Recitative "O Schwerer Gang Zum Letzten Kampf" Duet "Mein Letztes Lager Will Mich Schrecken" Recitative "Der Tod Bleibt Doch Der Menschlichen Natur Verhaßt" Chorale "Es Ist Genug" [13] The melody begins with an unusual sequence of four notes progressing by steps of major seconds (whole tones), together spanning the interval of a tritone, also called "diabolus in musica". Main Page Details and Recordings Aria (tenor): Ewigkeit, du machst mir bange 4. no longer rule over you! Wird solche Marter währen. O Ewigkeit, du Donnerwort, o Schwert, das durch die Seele bohrt, o Anfang sonder Ende! | Part 3 / Dialogus Zwischen Furcht u. Hoffnung. "O Ewigkeit, du Donnerwort," verse 1: Johann Rist 1642 and … [2] The American musicologist Eric Chafe analyses that the quotes of the vox Christi are intensified each time by lengthening the quoted text: first "Selig sind die Toten", the second time "Selig sind die Toten, die in dem Herrn sterben" (... who die in the Lord), finally "Selig sind die Toten, die in dem Herrn sterben von nun an." here there is really no jesting: "[2], The closing chorale is "Es ist genug" (It is enough). Da mehr denn tausend Henker sein, | Cantatas BWV 1-50 [1] Dürr notes that the melody is by Johann Rudolph Ahle, a predecessor of Bach as organist in Mühlhausen. Find composition details, parts / movement information and albums that contain performances of O Ewigkeit, du Donnerwort, chorale… on AllMusic 12: Tooting / Winchester, International Music Score Library Project, J. S. Bach: Texts of the Complete Vocal Works with English Translation and Commentary by Z. Philip Ambrose (University of Vermont), Chapter 26 BWV 60 O Ewigkeit, du Donnerwort / Oh, eternity, word of thunder, The Cantatas of Johann Sebastian Bach: A listener and student guide by Julian Mincham, https://en.wikipedia.org/w/index.php?title=O_Ewigkeit,_du_Donnerwort,_BWV_60&oldid=995113573, Pages using infobox musical composition with unknown parameters, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 December 2020, at 08:31. Individual Recordings: Hilliard - Morimur [11], The second duet is a secco recitative. Coro: O Ewigkeit, du Donnerwort 2. | Preludi ai Corali - Quartetto Italiani di Viola Da Gamba What would it matter,even though a tyrant O schwerer Gang zum letzten Kampf und Streite! | AMN BWV 508-524 / 2 Hautb: d’Amour. Auf kurze Sünden dieser Welt how hard you punish an evil servant If someone lies sick and rests Gefängnis, Marter, Angst und Pein Und seufzet nach dem lieben Tag. Chorale Melody: Wach auf, mein Geist, erhebe dich (1642) / O Ewigkeit, du Donnerwort (1653) | Composer: Johann Schop / Johann Crüger, This text was used by Bach to begin his ambitious cycle of chorale cantatas on 11th June 1724. Das endlich mit der Zeit nicht fällt [2] During Bach's tenure, the same two readings were prescribed for the Sunday every year: the epistle reading, Colossians 1:9–14, was a prayer from the Epistle to the Colossians for the congregation there, and the Gospel reading was the raising of Jairus' daughter as told in the Gospel of Matthew (Matthew 9:18–26). / Hope. Dies alles ist kaum nennenswert, The orchestral accompaniment is assigned to a Baroque instrumental ensemble of horn, two oboes d'amore, strings and continuo. [8][9], Bach structured the cantata in five movements: four duets of alternating arias and recitatives, concluding with a four-part chorale. Pleasure can give delight for which you will weep in the midst of devils. | Poets & Composers therefore when I consider this long night in a bed that is richly | 371 4-Part Chorales sorted by Breitkopf Number Noch endlich sollte währen, Nicht, wo ich mich hinwende! you have appointed so long a pain. What do I care about water, fire and sword? that he can express this matter? | Cantatas BWV 51-100 [8] In the fourth movement, Selig sind die Toten (Blessed are the dead, Revelation 14:13)[3] is the answer to the preceding recitative of Fear. | Part 3 Solang ein Gott im Himmel lebt [2] The instruments are shown separately for winds and strings, while the continuo, playing throughout, is not shown. In O Ewigkeit, du Donnerwort, he assigned Fear to the alto and Hope to the tenor, and has them sing three movements in dialogue. 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